Painter, draftsman, curator, lecturer

The subject of my work is process, limitation, restriction and repetition.
Restricting my materials and with a strict, mark-making action, I deliberately control the painfully slow progression of the surfaces. It is a twenty year investigation.

The mark is a horizontal line.
The substrate is paper.
Binders are limited to oil and cold wax.
Materials are restricted to ivory black pigment, graphite and charcoal.
The physical process is the monotonous repetitive movement of making lines by bending over paper, laid flat, and drawing the line or moving my paint mixtures across the surface over and over, again and again.
The concept is gemination: ”No man ever steps in the same river twice, for it's not the same river and he's not the same man.” Heraclitus of Ephesus.

We have placed cookies on your device to help make this website better. Click to say I’m fine with this.OK

Facebook Twitter Email